.


Folio and Quarto Texts
Of Shakespeare's Plays
Home: Shakespeare Index

How Shakespeare's Plays Found Print

By Michael J. Cummings   2003
Revised in 2006, 2011, and 2016

William Shakespeare and other authors of his time wrote their plays for theater performances rather than publication. To print and sell a play in book form was to give rival acting troupes and theateragoers access to the script, thereby diminishing its potential to profit from stage performances.

Nevertheless, unscrupulous publishers sometimes bought copies of plays from equally unscrupulous actors who had obtained a handwritten copy of the play or had written it down from memory. Occasionally, a publisher attended a play and copied the script himself while actors performed their parts. For example, publisher John Danter, hoping to make money by selling Romeo and Juliet, used notes taken during a 1597 performance of the play to piece together a copy of it for public sale.

These methods of acquiring a copy often resulted in the publication of scripts with many errors. To preserve the integrity of a play, the acting company that owned the script sometimes made its own arrangements to publish the text. Consequently, different printed versions of the play—some accurate, some inaccurate—were in circulation. Shakespeare's poetry also appeared in different versions. In at least one instance, a printer even published poems of other authors under Shakespeare's name in hopes of capitalizing on the magic of his byline.

The Quarto and Folio Formats

There were two publishing formats: quarto and folio, which are explained below. The plays containing errors generally were in quarto form, although some good copies were published in this format. In 1623, friends and admirers of Shakespeare compiled a reasonably authentic collection of thirty-six Shakespeare's plays in a folio edition of more than nine hundred pages that was entitled Mr. William Shakespeare's Comedies, Histories & Tragedies. To what extent the original manuscripts of the plays had been edited is uncertain. The printer and publisher was William Jaggard, assisted by his son Isaac. This edition became known as The First Folio. Because of the presumed authenticity of this collection, later publishers used it to print copies of the plays. Other folios were printed in 1632, 1663 and 1685. In 1664, a second printing of the 1663 folio included the first publication of Pericles, Prince of Tyre.

The following paragraphs explain the difference between quarto and folio formats.

Quarto

A quarto was sheet of printing paper folded once to form four separate pages for printing a book. To better visualize a quarto, hold before you a standard sheet of typing paper and fold it in half. You now have a rectangular piece of paper with four surfaces for printing.

Folio

A folio was a sheet of printing paper also folded once to form four separate pages for printing a book. But the folio sheet was much larger than a quarto sheet.

Printing the Quartos and Folios

Suppose a book had sixty-four pages. The first quarto or folio sheet would be printed with the first two pages of the book. On the other side of the fold would be the last two pages. So you would have pages 1 and 2, then pages 63 and 64. The second quarto or folio sheet would be printed with pages 3 and 4, then pages 61 and 62. After being folded, it would be nested inside the first quarto or folio sheet. The third quarto or folio sheet would be printed with pages 5 and 6, then 59 and 60. After being folded, it wolud be nested inside the second quarto or folio sheet. The book would have eight quarto or folios in all, each folded to create four pages for a total of 64 pages.

The Publishing Industry

The publishing industry operated under the control of the Worshipful Company of Stationers, a trade organization which the government established and supervised in order to guard against printing subversive books or books unduly critical of the Crown. If a play met government standards—that is, if it did not attempt to inflame the people against the crown—a publisher could print and sell the play.

Over the centuries, publishers of Shakespeare's works used both quarto and folio texts to prepare new editions of his works edited to reflect spelling and punctuation rules current at the time. They also made other editing changes. Today, the most popular editions of Shakespeare—such as The Riverside Shakespeare, The Norton Shakespeare, and The Arden Shakespeare—generally contain nearly identical texts of his works. However, close reading of them will reveal some slight variations in wording and punctuation, as well as in the interpretation of difficult passages.