Richard III
A Study Guide

Type of Work
Key Dates
Plot Summary
The Opening Soliloquy
Richard's Leitmotiv
Figures of Speech
Richard as a Pyschopath
Historical Richard
Battle of Bosworth Field
Questions, Essay Topics
Biography of Shakespeare
Complete Free Text
Study Guide Compiled by Michael J. Cummings... 2003, 2006, 2010, 2011, 2013
(Revised and Updated in 2013 After Archeologists Exhumed the Skeletal Remains of Richard III)

Type of Work 

.......Richard III is stage play that is both a history and a tragedy. It is the last of the four Shakespeare plays that focus on the Wars of the Roses. The others were Henry VI Part I, Henry VI Part II, and Henry VI Part III

Key Dates
Date Written: Probably between 1591and 1593.
First Printing: 1597, First Quarto. Five other quartos appeared between 1598 and 1622. The authorized First Folio text appeared in 1623.


.......Shakespeare based Richard III partly on accounts in The Chronicles of England, Scotland and Ireland (Holinshed's Chronicles), by Raphael Holinshed (?-1580?), who began work on this history under the royal printer Reginald Wolfe. The first edition of the chronicles was published in 1577 in two volumes. Other sources Shakespeare used were The Union of Two Noble and Illustre Families of Lancastre and York, by Edward Hall (?-1547) and The History of King Richard the Thirde, by Sir Thomas More (1477-1535). 

.......The action takes place in England in the following locales: London (including castles and the royal palace), an open place near Salisbury, a camp near Tamworth, and Bosworth Field (about twelve miles west of Leicester in the East Midlands).


Protagonist: Richard, Duke of Gloucester and Later King
Antagonist: No Obvious Antagonist Until Henry Tudor, Earl of Richmond, Appears in Act V to Oppose Richard
Richard: Duke of Gloucester (son of Richard Plantagenet, the Duke of York in Henry VI Part I and Henry VI Part II). Gloucester  gleefully murders his way to power to become King Richard III. At the beginning of the play, Richard is in his early twenties; at the end, when he dies in the Battle of Bosworth Field, he is thirty-two.
Edward IV: Sickly King of England and brother of Richard. Edward dies and leaves two boys as heirs to the throne—and prey for Richard.
Queen Elizabeth: Wife of Edward IV. 
George, Duke of Clarence: Brother of Richard. Because he stands in the way of Richard's evil plans, Richard has him murdered. 
Duchess of York: Mother of Edward IV, Richard, Clarence.
Earl Rivers: Brother of Queen Elizabeth.
Edward, Prince of Wales: Son of Edward IV.
Richard, Duke of York: Son of Edward IV.
Marquis of Dorset, Lord Grey: Sons of Elizabeth by a Previous Marriage. 
Boy: Son of the Duke of Clarence.
Girl: Daughter of the Duke of Clarence.
Margaret: Widow of King Henry VI.
Lady Anne: Widow of the son of King Henry VI. She marries Richard.
Henry Tudor: Earl of Richmond, who becomes King Henry VII.
Cardinal Bourchier: Archbishop of Canterbury.
Thomas Rotherham: Archbishop of York.
John Morton: Bishop of Ely.
Duke of Buckingham: Key supporter of Richard. He turns against Richard after the latter announces plans to murder Prince Edward and Prince Richard, just children. 
Lord William Hastings: Important nobleman. Because he supports the accession of Prince Edward after Edward IV dies, Richard orders his execution.
Sir James Tyrrell: Unscrupulous nobleman whom Richard hires to kill Prince Edward and Prince Richard.
Other Important Noblemen: Earl of Surrey, Duke of Norfolk, Lord Stanley (Early of Derby), Lord Lovel, Sir William Catesby, Sir Richard Ratcliff, Earl of Oxford, Sir Thomas Vaughan, Sir James Blount, Sir Walter Herbert, Sir William Brandon.
Sir Robert Brakenbury: Lieutenant of the Tower.
Christopher Urswick: Priest.
Tressel, Berkeley: Attendants of Lady Anne.
Ghosts: Spirits of Richard III’s murder victims.
Dighton, Forrest: Murderers.
Others: Another Priest, Lord Mayor of London, Sheriff of Wiltshire, Lords, Attendants, Citizens, Messengers, Soldiers, Pursuivant, Scrivener. (A pursuivant is an attendant or an officer ranking below a herald. A scrivener is a copier of documents. The scrivener in Richard III prepares papers indicting Lord Hastings).

Plot Summary
By Michael J. Cummings... 2003, 2006, 2010

.......Historical Note: After England's King Henry VI died in 1471, the reign of the House of Lancaster ended and the House of York reclaimed power under King Edward IV. During the Wars of the Roses, which began in 1455, Edward had been king from 1461 to 1470 but lost the throne for a year to Henry VI. When Edward regained the throne, his own brotherRichard, Duke of Gloucesterbegan plotting against him, according to Shakespeare's account and interpretation of the final years of the Wars of the Roses, from 1483 to 1485. Following is the summary of the play.
.......Richard, Duke of Gloucester, appears alone on a London Street and announces to the audience his plans to overthrow his brother, King Edward IV. Richard is evilso evil, in fact, that he derives immense satisfaction from committing vile deeds. There appears to be a measure of revengeagainst nature, against the world and its peoplein his motives. For he was born into this world as a lame hunchback, “deformed, unfinished . . . scarce half made up” (1.1.22-23). His misshapen form annoys even the dogs that bark at him as he limps by. Cheated of the fairness of feature that marks others around him, he decides to cheat them of position, power, even life. 
His vengefulness abets anotherperhaps even strongermotive: ambition. Richard covets the throne and will stop at nothing to get it. All options are open, including murder.
I am determined to prove a villain 
And hate the idle pleasures of these days. 
Plots have I laid, inductions dangerous. (1. 1. 32-34)
First, he convinces King Edward that another brother, the Duke of Clarence, craves the crown. Edward claps Clarence in chains and imprisons him in the Tower of London. Edward, meanwhile, becomes seriously ill. (How lucky for Richard.) Richard wants Edward to die, of course, but not until Clarence is dead. “Clarence still breathes; Edward still lives and reigns: / When they are gone, then must I count my gains” (1.1.168-169). Of course, kings-to-be must have queens-to-be. Richard is no exception, he believes, in spite of his grotesque appearance. So he woos Lady Anne, the daughter-in-law of the late King Henry, even as the coffin of the dead king passes with Lady Anne attending it in mourning. When Richard orders the procession to halt, Lady Anne glares at Richard and exclaims, “What black magician conjures up this fiend / To stop devoted charitable deeds?” (2.1.37-38). Anne has good reason to loathe Richard. It was he who murdered King Henry. What is more, he murdered Anne’s husband, who was Henry’s son. Anne, who well knows that Richard committed the murders, tells him, 
    Avaunt,1 thou dreadful minister of hell! 
    Thou hadst but power over his [the dead king's] mortal body,
    His soul thou canst not have; therefore be gone. (1. 2. 47-49) 
Richard blames Edward for the death of Lady Anne's husband, but she knows better, reminding him that there was a witness to the murder: 
    In thy foul throat thou liest: Queen Margaret saw
    Thy murderous falchion2 smoking in his blood;
    The which thou once didst bend against her breast,
    But that thy brothers beat aside the point. (1. 2. 98-101)
When she asks Richard to own up to killing the king, he admits the deed and says he did the king a favor by sending him to heaven: “He was fitter for that place than earth” (1. 2. 114). Lady Anne pronounces Richard fit for only one place: hell. Boldly, Richard retorts that he is fit for another place, her bed-chamber. Lady Anne spits at him. 
.......By and by, however, Richard’s wheedling tongue persuades her that he is repentant and worthy of her attention. He offers her a ring and, wonder of wonders, she puts it on and agrees to marry him. Later, Richard laughs up his sleeve at her for falling victim to his words, and he thinks he might be a fine figure of a man after all. 
.......At court, Richard pretends to be sensible and selfless, with only the king’s best interests at heart. But behind the king’s back, Richard accuses the king’s wife, Queen Elizabeth, of scheming against Clarence, who remains Richard’s prisoner in the Tower of London, and convinces important noblementhe Duke of Buckingham, Lord Hastings, and Lord Stanleyof her guilt. Then he dispatches henchmen to kill Clarence. They are thorough. First, they stab him; then they submerge him in a barrel of wine. Richard also orders the arrest of three supporters of Elizabeth and the dying king’s heir, young Prince Edward. These three menLord Grey, Lord Rivers, and Sir Thomas Vaughnare imprisoned in Pomfret Castle.
.......Meanwhile, King Edward dies, and Richard confines the king’s childrenPrince Edward and his brother, Richardto the Tower under a pretense that Edward is to be prepared for coronation. Events then begin to move swiftly as Richard advances his scheme to win the throne. First, he orders the execution of Grey, Rivers, and Vaughn and follows up with the beheading of Lord Hastings, a supporter of the accession of Prince Edward. However, Richard has duped Buckingham into becoming one of his supporters after telling him one lie compounded by two others: first, that the late king’s sons were illegitimate and therefore ineligible to inherit the throne; second, that the king ordered the murder of a citizen simply for speaking of the matter of royal succession; and, third, that Edward lusted after “servants, daughters, wives” (3. 5. 86) of the House of York. 
.......Buckingham then speaks on Richard’s behalf to the people of London, repeating the lies. As a result, a delegation of citizens, including the Lord Mayor of London, comes to offer Richard the crown at Baynard Castle. After Buckingham greets them, they see Richard going to prayer with two bishops. In his hand is a prayer book. Buckingham praises Richard as a devout man. Then the citizens importune Richard to accept the crown. Ever playing the innocent, Richard replies, 
I am unfit for state and majesty; 
I do beseech you, take it not amiss; 
I cannot nor I will not yield to you. (3.7.210-212)
 When the citizens press Richard further, he tells them that 
I am not made of stone,
But penetrable to your kind entreats,
Albeit against my conscience and my soul. (3.7.228-230)
.......So, in June of 1483, Richard is crowned King of England and his wife Anne queen. There remains, of course, unfinished business: the two little boys in the Tower, Princes Edward and Richard. In a room of state in the palace, he tells the Duke of Buckingham: “I wish the bastards dead; / And I would have it suddenly perform’d” (4.2. 21-22). When he asks Buckingham to endorse his murder plan, the duke asks for time to reflect on the matter, then leaves. 
.......Richard then sends for a man of meager means reputed to be willing to do anything for money. His name is Sir James Tyrrell. When Richard asks him whether he will serve his king by killing the boys, calling them “foes to my rest, and my sweet sleep’s disturbers” (4.2.79), Tyrrell replies, “I’ll rid you from the fear of them” (4.2.83). 
.......When Buckingham returns to inform the king of his position on the murder plan, he first asks the king to make him Earl of Hereford. Richard ignores the request and instead speaks of a prophecy of King Henry VI that Henry Tudor, Earl of Richmond, would become king. Buckingham then repeats his request several times until the king finally replies that he is not in a giving mood. Furthermore, he tells Buckingham, “Thou troublest me” (4.2.127). Buckingham now realizes that he is out of favor and probably in mortal danger. After the king and his attendants leave the room, Buckingham flees the court “while my fearful head is on” (4.2.131). 
.......Elsewhere Tyrrell, assisted by two other thugs, murders the boys. However, in carrying out Richard’s will, he does something that Richard never does: he owns up to the foulness of his action. 
The tyrannous and bloody act is done.
The most arch of piteous massacre
That ever yet this land was guilty of.
Dighton and Forrest, whom I did suborn3
To do this ruthless piece of butchery,
Albeit they were flesh’d villains, bloody dogs,
Melting with tenderness and kind compassion
Wept like two children in their deaths’ sad stories. (4.3.3-10) 
.......Pleased with the success of the mission, King Richard replies, “Come to me, Tyrrell, soon after supper, / And thou shalt tell the process of their death” (4, 3, 37-38).
.......Next Richard arranges the death of Queen Anne so that he can marry the sister of the murdered boys, thereby giving him stronger royal connections. England, though, is coming to its senses, and the Earl of Richmond claims the throne with strong popular support. Buckingham now backs Richmond with a force of Welshmen. John Morton, Bishop of Ely, also supports Richmond’s cause, as does the Marquis of Dorset, a son of Elizabeth.
.......Armies of Richard and Henry gather at Bosworth Field in August of 1485 to settle the issue. While the two foes, Richard and Richmond, sleep in their tents before the battle, the ghosts of the persons murdered by Richard appear to both of them, predicting Richard’s defeat and death. 
.......When the armies clash on August 22, Richard fights with remarkable tenacity. One of his comrades in arms, Catesby, says, 
 The king enacts more wonders than a man,
 Daring an opposite to every danger:
 His horse is slain, and all on foot he fights,
 Seeking for Richmond in the throat of death. (5.4.4-7)
.......But as the tide of battle turns against Richard, he loses his mount and cries out, “A horse! a horse! my kingdom for a horse!” (5. 4. 10). When Catesby offers to help Richard to another horse, Richard replies, “Slave, I have set my life upon a cast, / And I will stand the hazard of the die” (5. 4. 12-13). The Earl of Richmond, then slays Richard, and says, “The day is ours, the bloody dog is dead” (5.4.19). Richmond becomes Henry VII, King of England, and the War of the Roses ends.
The Opening Soliloquy
.......Richard III opens in 1483 with the title character delivering one of Shakespeare’s most famous soliloquies. The first thirteen lines establish the cheerful, optimistic mood in the kingdom now that Richard’s brother, Edward IV, has reclaimed the throne and the War of the Roses, which began in 1455, appears to have ended. Richard sums up the situation in the first two lines of the soliloquy:
    Now is the winter of our discontent
    Made glorious summer by this son of York
In other words, the bleak winter of war has given way to a bright summer of peace, symbolized by the shining “sun” (son) of York, Edward. 
.......However, Richard says he will shun the merriment, including amorous pursuits, because he is a lame hunchback whose sight is so displeasing that even dogs bark insults at him. Nature, he says, has “cheated” him of good looks. Now he must endure the indignity of seeing his “shadow in the sun”that is, being eclipsed by Edward. Clearly, he deeply envies Edward. 
.......But Richard has no intention of accepting second place to Edward. In the last third of the soliloquy, Richard brazenly announces a murderous plot to unseat the king and seize the throne. His plan is to foment hatred between his other brother, Clarence, and Edward, by convincing Edward that Clarence covets the crown. Richard says he looks forward to carrying out his plot, to doing evil: "I am determined to prove a villain." 
.......The play then becomes a character study rather than a whodunit, focusing on Richard’s devious tactics and the inner workings of his mind. Audiences and readers experiencing the play the first time sometimes find themselves rooting for Richard as he murders his way to crown. Yes, he is perverse, wicked, and depraved. But he is also outrageously bold and incredibly cunningan altogether intriguing whangdoodle who takes on the world and doesn’t look back. 
.......When the opening soliloquy introduces him, audiences usually despise him instantlyand love him. He is a nightmare who gives us sleep and awakens us breathless wanting for more. And so the play goes on.

Richard's Leitmotiv: It's Good to Be Bad

.......In his soliloquies, asides, and short discourses, Richard gleefully announces his evil intentions and reinforces the paradox that guides his behaviorit's good to be bad. His frequent revelations of the crimes he plans and the delight he takes in committing them resemble leitmotivs in an opera (recurring musical passages associated with a theme, a character, or a character trait). His running commentary generally intrigues audiences and sometimes even amuses them after the manner of crafty villains that people horror films. It all begins in the first scene of Act I, when Richard proudly discloses his nefarious plans:

I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other. (32-37)
While alone on the stage after setting his plans in motion, he wryly comments on the fate that awaits the Duke of Clarence. 
Go, tread the path that thou shalt ne'er return.
Simple, plain Clarence! I do love thee so,
That I will shortly send thy soul to heaven,
If heaven will take the present at our hands.(1.1.123-126)
After his talented tongue persuades Lady Anne to marry him, he takes delight in ridiculing her for having agreed to wed so heinous a reprobate as he.
Hath she forgot already that brave prince,
Edward, her lord, whom I, some three months since,
Stabb'd in my angry mood at Tewksbury?
A sweeter and a lovelier gentleman,
Framed in the prodigality of nature,
Young, valiant, wise, and, no doubt, right royal,
The spacious world cannot again afford
And will she yet debase her eyes on me,
That cropp'd the golden prime of this sweet prince,
And made her widow to a woful bed?
On me, whose all not equals Edward's moiety?4 (1.2.252-263)
Later, he reveals his plan to blame others for his crimes while presenting himself as beyond reproach:
I do the wrong, and first begin to brawl.
The secret mischiefs that I set abroach5
I lay unto the grievous charge of others.
Clarence, whom I, indeed, have laid in darkness,
I do beweep to many simple gulls6
Namely, to Hastings, Derby, Buckingham;
And say it is the queen and her allies
That stir the king against the duke my brother.
Now, they believe it; and withal whet me
To be revenged on Rivers, Vaughan, Grey:
But then I sigh; and, with a piece of scripture,
Tell them that God bids us do good for evil:
And thus I clothe my naked villainy
With old odd ends stolen out of holy writ;
And seem a saint, when most I play the devil.(1.3.333-347)
By the way, Richard III has in fact been made into an operaGiorgio Battistelli's post-modernist production, with lyrics by Ian Burton.


.......The main conflict in the play pits Richard against anyone who stands between him and the achievement of his goals. 


.......The tone is dark and threatening, with Richard's evil machinations driving the plot. Richard establishes the tone in his opening soliloquy, when he compares himself to a shadow:

      I, in this weak piping time of peace,      
Have no delight to pass away the time,      
Unless to see my shadow in the sun   
And descant on mine own deformity:      
And therefore, since I cannot prove a lover,      
To entertain these fair well-spoken days,      
I am determined to prove a villain,       
And hate the idle pleasures of these days.      
Plots have I laid, inductions dangerous,      
By drunken prophecies, libels, and dreams,      
To set my brother Clarence and the king   36    
In deadly hate the one against the other:  (1.1.-26-37)
Richard at times is gleefully evil, taking great pleasure in his murderous adventures. His delight in ruining and ending the lives of others is sometimes perversely comic, as is the dialogue between the two murderers after they enter the Tower of London to kill Clarence. 
SECOND MURDERER   What! shall we stab him as he sleeps?      
FIRST MURDERER   No; he’ll say ’twas done cowardly, when he wakes.      
SECOND MURDERER   When he wakes! why, fool, he shall never wake till the judgment-day.      
FIRST MURDERER   Why, then he’ll say we stabbed him sleeping. (1.4.101-104)  

.......The direction of the plot becomes clear at the outset of the play, when Richard discloses his evil plans in a soliloquy. He continues to reveal his plans from time to time when he is out of earshot of others. Other characters also foreshadow the action, most notably Queen Margaret, who says, 

O Buckingham! take heed of yonder dog [Richard]:
Look, when he fawns, he bites; and when he bites
His venom tooth will rankle to the death:
Have not to do with him, beware of him; 
Sin, death and hell have set their marks on him,
And all their ministers attend on him. (1.3.297-302)
All-Consuming Ambition Leads to All-Consuming Evil

.......Richard, in his thirst for power, is willing to commit any atrocity to win the throne. He is Macbeth raised to the second poweror third. After an assassin murders the late king's sons, Richard says to him, "Thou shalt tell the process of their death" (4. 3. 38).

All Things are Not as They Seem

.......During most of the play, Richard wears a mask of innocence. He is always pretending, always deceiving. For example, when Rivers says he would be loyal to Richard if the latter were king, Richard answers, "If I should be! I had rather be a pedlar: / Far be it from my heart, the thought of it!" (1.3.154-155).
Eventually, his adversaries see through the mask.

Where There Is Pure Evil, There Is No Conscience

.......Richard never expresses regret or remorse. He is bad to the bone, and proud of it. Modern psychologists would probably label him a psychopath or sociopath.

I Am What I Am

.......Richard acknowledges at the beginning of the play that he is an ugly, misshapen lump of flesha monster. Then, accepting himself as he is, he announces that he will live up to his physical image by performing ugly deeds. 

.......The climax of a play or another narrative work, such as a short story or a novel, can be defined as (1) the turning point at which the conflict begins to resolve itself for better or worse, or as (2) the final and most exciting event in a series of events. The climax of Richard III occurs, according to the first definition, when Richard ascends the throne (Act IV, Scene II) as King of England. According to the second definition, the climax occurs in the final act when Richard, who has lost his mount, shouts “A horse! A horse! My kingdom for a horse!” (5.4.10; repeated in line 16). The climax concludes after Henry, Earl of Richmond, slays Richard.
Figures of Speech

......Following are examples of figures of speech in the play. For definitions of figures of speech, see Literary Terms.


Poor key-cold figure of a holy king! 
Pale ashes of the house of Lancaster! (1.2.7-8) 

For thou hast made the happy earth thy hell, 
Fill’d it with cursing cries and deep exclaims. (1.2.54-55) 

So many miseries have craz’d my voice, 
That my woe-wearied tongue is still and mute. (4.4.20-21) 

Our bruised arms hung up for monuments; 
Our stern alarums changed to merry meetings; 
Our dreadful marches to delightful measures. (1.1.8-10) 

O! cursed be the hand that made these holes; 
Cursed the heart that had the heart to do it! 
Cursed the blood that let this blood from hence! (1.2.16-18) 

When clouds are seen, wise men put on their cloaks; 
When great leaves fall, then winter is at hand; 
When the sun sets, who doth not look for night? (2.3.37-39) 

Apostrophe, Metaphor, Personification
O coward conscience, how dost thou afflict me! (5.3.198)
Apostrophe: Conscience becomes a thing addressed. Metaphor and personification: Conscience becomes a cowardly person.
      I, being govern’d by the wat’ry moon, 
May send forth plenteous tears to drown the world! (2.2.72-73) 
Irony, Dramatic
      In the opening scene of Act I, Clarence is on his way to the Tower of London, under guard, when he meets Richard. Richard asks him why he has been arrested. Clarence says he has been falsely accused of plotting against the king. Richard then persuades him that the queen's wife is responsible for his predicament. The audience well knows, however, that Richard engineered the arrest of Clarence. Dramatic irony continues to play a role in the play when Richard pretends to be an innocent bystander to the evil machinations he has set in motion.
Irony, Verbal
Simple, plain Clarence! I do love thee so 
That I will shortly send thy soul to heaven. (1.1.124-125)
The speaker is Richard. He does not love Clarence but despises him and arranges his murder.
Irony, Situational
A horse! A horse! My kingdom for a horse! (5.4.10 and 5.4.16).
Richard had supreme power in England as its king. But when his adversaries unhorse him
on the battlefield, he is so powerless that he is willing to trade his kingdom for a horse.
No beast so fierce but knows some touch of pity. (1.2.74)
Lady Anne insults Richard, comparing him to a beast, but  holds out hope that ruthless Richard may have a mite of pity in him. 

The world is grown so bad, 
That wrens make prey where eagles dare not perch. (1.3.74-75)
Playing the innocent, Gloucester (the future Richard III) accuses the king’s wife of wrongful deeds, comparing her to a predatory wren.

                        They spake not a word; 
But, like dumb statues or breathing stones, 
Stared each on other, and looked deadly pale. (3.7.26- 28) 
Comparison of people to statues and "breathing stones"

True hope is swift, and flies with swallow’s wings. (5.2.25)
Comparison of hope to a bird

My conscience hath a thousand several tongues,
And every tongue brings in a several tale,
And every tale condemns me for a villain. (5.3.212-214)
Comparison of conscience to a creature with many tongues

Metaphor and Play on Words
Now is the winter of our discontent 
Made glorious summer by this sun of York. (1.1.3)
Gloucester (the future Richard III) compares the state of affairs in England to winter and the sun. Sun has a double meaning. 
Besides referring to the great star in the sky, it refers to King Edward IV, the son of Richard Plantagenet, Duke of York.
Grim-visag’d war hath smooth’d his wrinkled front; 
And now,—instead of mounting barbed steeds, 
To fright the souls of fearful adversaries,— 
He capers nimbly in a lady’s chamber 
To the lascivious pleasing of a lute. (1.1.11-15)
Comparison of war to a person
What! were you snarling all before I came, 
Ready to catch each other by the throat . . . ? (1.3.193-194) 
Dead life, blind sight, poor mortal living ghost (4.4.29)
Now is the winter of our discontent 
Made glorious summer by this sun of York. (1.1.3)
Winter becomes summer.
Richard as a Psychopath

.......Richard III exhibits symptoms of antisocial-personality disorder. Known as psychopaths or sociopaths, persons with this disorder act without regard to the moral or social acceptability of their behavior. They tend to engage in offensive behavior—and even violently criminal behavior—without feeling remorse, guilt, or regret. They have no conscience.
.......A psychopath can be winsome, intelligent, self-confident, and articulate. But he wears a mask. Beneath it is a manipulator and an egotist who is insincere and incapable of loving another person.
.......Richard III is among the most psychopathic characters in English literature. Give him credit, though. He informs you about himself in the opening lines of the play:
I am determined to prove a villain,
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels, and dreams. (1.1.32-35)
.......Richard covets the crown of England, worn by his brother Edward. To get it, he first schemes against his brother Clarence, an heir to the throne, manipulating Edward into believing that Clarence is plotting against him. Edward orders Clarence arrested and imprisoned in the Tower of London. When Richard speaks with Clarence, Richard pretends to sympathize with him. (Deceit is another common characteristic of a psychopath.) Then King Edward becomes deathly ill, a convenient turn of events for Richard.
.......To prepare for the day when he becomes king, Richard selects a future queen, Lady Anne, a woman who loathes him so completely that hatred is too mild a word to characterize her feelings toward him. And no wonder. Richard murdered her father—the late King Henry VIand her husband. But Richard, true to his psychopathic egotism, is certain he can woo and win her. When he encounters her  during Henry's funeral, she calls him a “dreadful minister of hell” (1.2.49) and says,
If thou delight to view thy heinous deeds,
Behold this pattern of thy butcheries.
O! gentlemen; see, see! dead Henry’s wounds
Open their congeal’d mouths and bleed afresh. (1.2.56-59)
.......When Richard blames Edward for the death of Henry, she says, “In thy foul throat thou liest.” However—wonder of wonders—Richard's wheedling tongue does the impossible, persuading Anne that he is a changed man. He proposes marriage and she accepts.
.......Meanwhile, behind the king's back, Richard blames the king's wife, Queen Elizabeth, for Clarence's imprisonment, convincing important noblemen that she engineered his arrest. He then orders his henchmen to murder Clarence. Next, he orders the arrest of three supporters of Elizabeth. When Edward dies, Richard confines Edward's child Prince Edward—in line for the throne—and his brother, Richard, to the Tower under the pretense that young Edward is to be prepared for coronation. Events then begin to move swiftly as Richard advances his scheme to win the throne. First, he orders the execution of Elizabeth's supporters and follows up with the beheading of Lord Hastings, a supporter of the accession of Prince Edward.    
.......More lies and further machinations eventually win Richard the kingship with popular approval.
.......When his mother, the Duchess of York, rebukes him for his evil deeds, she tells him, “Thou cam'st on earth to make my earth hell” (4.4.172). She then observes,
Thy school-days [were] frightful, desperate, wild and furious;          
Thy prime of manhood daring, bold, and venturous;          
Thy age confirm’d, proud, subtle, sly, and bloody. (4.4.177-179)         
.......Her summation of his life is the summation of the life of a psychopath. Richard lies and deceives, using charm, stealth, and a glib tongue. When manipulating King Edward, for example, he says, “I'll . . . urge his hatred more to Clarence / With lies well steel'd with weighty arguments.”
.......During his murderous climb to the throne, never once does Richard exhibit guilt or remorse. In fact, he seems to delight in his evil deeds. He has no long-term goals for the England he rules, save one: to hold power and carry out the whims of his perverted mind.

Historical Richard
.......Shakespeare presented Richard III (1452-1485) as one of the most evil rulers in history. However, the historical Richard, though unscrupulous, may not have been as ruthless as depicted. After his brother King Edward IV (Richard's brother) died in 1483, Parliament declared Richard king instead of Edward's young son on grounds that King Edward's marriage to Elizabeth Woodville (1437-1492) was illegal. Parliament said Edward had earlier agreed to marry another woman. To secure his position as king, Richard confined both of the late king's boys to the Tower of London, where they were later killed. There is no proof that Richard ordered them killed. Nevertheless, after the boys died, public sentiment turned against Richard; the people favored Henry, Earl of Richmond. Armies of Richard and Henry had it out at Bosworth Field in 1485. Richard fought bravely before suffering mortal blows.
.......In autumn 2012, archeologists from the University of Leicester exhumed the skeletal remains of Richard from the foundations of a Franciscan friary, Greyfriars. The foundations are beneath a parking lot in Leicester, a large city in England's East Midlands. Scientific tests dated the remains to Richard's time and revealed that the body had suffered ten battle wounds, eight to the head. The DNA of the skeleton matched that of surviving descendants of Richard. The scientific tests also indicated that the spine of the skeleton had a spinal deformity, a condition known as scoliosis. In early 2013, the archeologists positively identified the remains as those of Richard.  
The Earl of Richmond succeeded to the throne as Henry VII, inaugurating the Tudor dynasty of monarchs and ending the Wars of the Roses.

.......In a discussion of the approach of historians in Richard's day, Marchette Chute wrote, 
In writing [history plays], Shakespeare had nothing to help him except the standard history books of his day. The art of the historian was not very advanced in this period, and no serious attempt was made to get at the exact truth about a king and his reign. Instead, the general idea was that any nation which opposed England was wrong, and that any Englishman who opposed the winning side in the civil war was wrong also. Since Shakespeare had no other sources, the slant that appears in the history books appears also in his plays. . . .  Richard III fought against the first of the Tudor monarchs and was therefore labeled in the Tudor histories as a vicious usurper, and he duly appears in Shakespeare's plays as a murdering monster..(Stories From Shakespeare. Eau Claire, Wis.: E.M. Hale, 1956 (page 257).
Battle of Bosworth Field
......The Battle of Bosworth Field ended the War of the Roses between the House of Lancaster and the House of York. It was fought on August 22, 1485, about three miles south of Market Bosworth, a town in the county of Leicestershire, England. 
......In the battle, the Lancaster army of Henry Tudor defeated the York army of Richard III after key allies of RichardLord Stanley and the Earl of Northumberlandfailed to come to Richard’s aid and a brother of Lord Stanley sided with Henry and attacked Richard. During the battle (retold in part by Shakespeare in Richard III from a biased Tudor perspective, beginning in the third scene of Act V), Richard fell from his horse and was slain in a bog. 
......Henry Tudor ascended the throne as Henry VII, establishing the House of Tudor. That royal house includedbesides Henry VII, who reigned from 1485 to 1509Henry VIII, who reigned from 1509 to 1547, and his three children. Their names and the years they ruled are as follows: Edward VI (1547-1553), Mary I (1553-1558), and Elizabeth I (1558-1603). Elizabeth I was on the throne during the first thirty-eight years and eleven months of Shakespeare’s life.
Study Questions and Essay Topics
1...Write an essay arguing that Richard is insane. 
2...Write an essay arguing that Richard is sane but extremely evil.
3...Is Richard like any twentieth or twenty-first-century rulers you can think of? Whether you answer yes or no, explain your answer.
4...How is Richard III like or unlike Macbeth?
5...Argue in an essay that the historical Richard III was not as ruthless as Shakespeare depicted him. Use library and Internet research to document your thesis.
6...In an essay, identify and analyze the motives of Richard as he executes his murderous plans.
7...Write an essay that focuses on dramatic irony in the play. Dramatic irony is a literary device that allows the audience to know what a character does not know.
8...Which character in the play is the most admirable? Other than Richard, which character is the least admirable?  Explain your answers.

1...avaunt: Go away; get out of here.
2...falchion: Short sword with a broad blade.
3...suborn: Induce, bribe.
4...moiety: half. 
5...set abroach: set in motion; started.
6...gulls: dupes; suckers; fools..

Example of an MLA Citation for This Study Guide

Cummings, Michael J. “Richard III: a Study Guide.” Shake Sphere: a Guide to the Complete Works of William Shakespeare. N.p., 2013. Web. 5 Feb. 2013.


Note: "5 Feb. 2013" is the date that the essay writer accessed the site. Be sure to insert the date you accessed the site instead of "5 Feb. 2013." Note also that the second line of an MLA works-cited entry is indented.

Example of an APA Citation for This Study Guide

Cummings, M. (2013). "Richard III: a Study Guide." Retrieved from http://shakespearestudyguide.com/RichIII.html#Richard3